About wanchi

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Wanchi Huang, a violin professor at James Madison University since 1998, has taught at the Heifetz International Music Institute since 2023 and served as concertmaster of the Waynesboro Symphony Orchestra since 2014. Praised for her recordings, she is a sought-after soloist and chamber musician. She holds degrees from The Curtis Institute, Juilliard, and Indiana University.

Wanchi Huang - violinist

Wanchi Huang studied both piano and violin as a child in her native Taiwan. Though she had won several youth piano competitions as a child, she opted to concentrate on the violin “because I could take the violin anywhere I wanted.” She chose well.

At just age 14, she made her solo debut with the Baltimore Symphony Orchestra under the direction of Catherine Comet. Huang is currently Professor of Violin at James Madison University School of Music and contributes to the community as concertmaster of the Waynesboro Symphony. Her previous albums include those devoted to the complete Sonatas of Eugène Ysaÿe, to the Partitas and Sonatas of J.S. Bach for unaccompanied violin, and to music by William Walton and Benjamin Britten in a collaboration with longtime friend and pianist Robert Koenig. These are on the Centaur Records label and have all received excellent reviews. “. . . her incisive technique and an exceptionally rich and beautiful tone. . .” by Phil’s Classical Reviews, Audio Video Club of Atlanta. Her most recent album, IMAGINING WORLDS: Music for Solo Violin by living composers will be released on Navona Records in January, 2024.

Wanchi is an active performer in chamber music, solo recitals, and as a soloist with regional orchestras throughout North America and Asia, at venues including Kennedy Center, Carnegie Hall, Lincoln Center, Curtis on Tour, and numerous music festivals, such as at the Aspen Music Festival, Banff Centre for the Arts, Bay View Music Festival, Carolina Chamber Music, Black Hills Chamber Music in South Dakota, Garth Newel Music Center, and others. Wanchi joined Heifetz Institute faculty since the Summer of 2023 and has been a strings adjudicator for various international and national competitions, including Hudson Philharmonic Strings National Competition and Guanya International Violin Competition in Cheng Du, China. As an educator, she presented numerous times at ASTA National Conferences and has given many violin masterclasses internationally, as well as adjudicating at the Hong Kong Music Schools Festival. Many of her students are now successful arts administrators, educators, and performers.

She holds a B.M. from The Curtis Institute of Music, a MM. The Juilliard School, and a DMA from Indiana University (Bloomington). She plays a modern American violin made in 2003 by Feng Jiang of Ann Arbor, Michigan.

Wanchi meets with Navona Records following her January 5, 2024 release of IMAGINING WORLDS.

Tell us about your first performance.

My first performance was a recording experience (when I was about 3). I don’t know if this counts as my first performance, but it certainly felt like it at the time. We had this new giant speaker system at home (to a small child everything seemed enormous), and I sang the Taiwanese version of Twinkle Twinkle Little Star while holding a humongous microphone with both hands. I vividly remember my dad telling me I must hold it with both hands, so I don’t drop it, and after that I heard his voice and my singing voice in the play back, and I was overly excited and thought it was the coolest experience in the world.

If you weren’t a musician, what would you be doing?

(My husband says, “Professional Nagger!” But no…) I love taking an object or a concept apart from big to small and putting them back together. Taking time to work or think about the intricate details and processes necessary to build beautiful and amazing products or ideas is very satisfying. I love to do anything that requires such processes. Deep cleaning as a profession of any sort is a good example of what I could be doing if I were not a musician.

If you could collaborate with anyone, who would it be?

I think if I could travel in a time machine, I would love to collaborate with J.S. Bach. I think it is astounding that his compositions carry such timeless quality and therefore are not limited to only the classic genres. His compositions have been recreated for various modern styles from pop to jazz, rap, and rock and roll. Very cool!

What advice would you give to your younger self if given the chance?

To rise above pettiness and not be manipulated or controlled by anything beyond me and enjoy the process of doing so.

What emotions do you hope listeners will experience after hearing your work?

I hope my listeners will experience a full range of emotions and that each emotion evokes memories of life experiences, from jovial, light-hearted ones to pensive, conflicted, and intense ones.

What are your passions beyond music?

I love indulging in long naps if time allows. It’s the most gratifying and comforting activity after a meal, a long productive practice, or an exhausting day of work. I also love furry animals and all the work that comes from playing with them and taking care of them. They are worth it!


Interview originally published by Navona Records on February 27, 2024
https://www.navonarecords.com/news/inside-story-wanchi-huang-imagining-worlds/

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